SKU: 37053854343
yellow potted plants

yellow potted plants Lantana ‘Gold Mound’

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Description

yellow potted plants Lantana ‘Gold Mound’Lantana Gold Mound is a vibrant and compact shrub admired for its profuse golden yellow blooms and its ability to thrive in challenging conditions. With its cheerful flowers and lush foliage, it provides year round interest and attracts a variety of pollinators, making it both an ornamental and ecological asset. Lantana Gold Mound is commonly referred to as Yellow Lantana or simply Gold Mound due to its mound like growth habit and bright yellow

Lantana ‘Gold Mound’ is a vibrant and compact shrub admired for its profuse golden-yellow blooms and its ability to thrive in challenging conditions. With its cheerful flowers and lush foliage, it provides year-round interest and attracts a variety of pollinators, making it both an ornamental and ecological asset.

Lantana ‘Gold Mound’ is commonly referred to as “Yellow Lantana” or simply “Gold Mound” due to its mound-like growth habit and bright yellow blooms. It is also sometimes called “Shrub Verbena,” a nod to its connection to the Verbenaceae family. 

The Lantana gold mound is valued for its rounded, bushy habit and vibrant color. The leaves are green, egg-shaped, and lightly textured, releasing a citrus-like scent when crushed. 

Its most notable feature is its profusion of golden-yellow flowers, which appear in dense clusters.

The plant is drought-tolerant, heat-resistant, and thrives in poor soil conditions, making it a favorite in xeriscapes and low-maintenance gardens. 

It typically grows up to 2 feet tall and 3 feet wide. Its compact size makes it ideal for small garden spaces, ground covers, or container gardening.

The showy, tubular flowers of Lantana ‘Gold Mound’ are arranged in tight, spherical clusters that bloom continuously throughout the growing season. 

The blooms start as bright yellow and may take on a slight orange hue as they age, adding a dynamic color effect. These flowers are particularly resilient, thriving in intense sunlight and resisting fading even in hot climates.

Butterflies
Bees
Hummingbirds
Lady Bugs
Multi Pollinators
Other Birds

Lantana ‘Gold Mound’ is a magnet for pollinators, attracting butterflies, bees, and hummingbirds with its nectar-rich blooms. It is particularly effective in pollinator gardens, helping to sustain local ecosystems. Its long flowering season ensures a consistent food source for these beneficial creatures. 

Lantana ‘Gold Mound’ is an easy-to-care-for plant that thrives in various conditions. It requires full sun, with at least 6 hours of direct sunlight daily to support healthy growth and prolific flowering. This drought-tolerant plant requires minimal watering once established. During the growing season, water every 7–10 days, ensuring the soil dries out between waterings. It prefers well-drained soil, opens in a new tab but adapts well to sandy or rocky types.

When grown indoors, it thrives in temperatures ranging from 60–85°F.

For outdoor cultivation, it is ideal for USDA Zones 9 to 11, where it can grow as perennial; in cooler zones, it is often treated as an annual.

Pruning is recommended to maintain its compact shape and encourage new blooms.

Deadheading spent flowers can enhance its appearance and prolong the blooming period. 

The Gold mound Lantana can be propagated through stem cuttings or by collecting seeds from mature plants. Stem cuttings taken in spring or early summer tend to root quickly in moist, well-draining soil under warm conditions. 

According to the ASPCA, Lantana species, including ‘Gold Mound,’ are mildly toxic to dogs, cats, and horses. Ingestion in a large amount can cause symptoms such as vomiting, diarrhea, and lethargy due to the presence of lantadene toxins. Therefore, it is advisable to plant it in areas inaccessible to pets or livestock. 

Overall, Lantana ‘Gold Mound’ is a standout in any garden, offering brilliant golden-yellow flowers, a compact growth habit, and exceptional resilience. Perfect for sunny borders, rock gardens, or pollinator-friendly landscapes, it combines beauty with ecological benefits. Its ease of care and striking appearance make it a favorite for gardeners seeking low-maintenance yet visually striking plants. 

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SKU: 37053854343

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4.3 ★★★★★
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M
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Mr. Watkins
Battle Creek, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
M
Verified Purchase
***moviemaker***
Fort Morgan, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
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W.P.
Los Angeles, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
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Basket Case
Los Angeles, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
J
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johnf
West Palm Beach, US
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things. The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring. The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world. If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
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Reviewed in the United States on January 31, 2016

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